Pupils Certainly not Revolting!

Edgeborough senior pupils certainly not revolting with their recent senior school production of Matilda. The cast, still buoyed from their 2024 National School Theatre Award for Best Play in 2024, performed the classic West End show in spectacular style.

Ambitions

Another ambitious production from Director of Drama, Catherine Self, who was never going to take the source material without looking for ways to give every pupil a chance to shine and elevate every scene they were in. Talented pupils from years 7 and 8 created and performed a show which transfixed audiences across both nights. Soaring vocals, compelling acting, well timed comedy, slick choreography and slapstick physicality ensured a production far beyond what the audience were expecting. Self along with Director of Music, Holly Cowan, choreography and dance support from Kelly Ewins and Jo Hendriksen and gymnastics from David Jones, worked successfully to create a knockout show.

Another ambitious production from Director of Drama, Catherine Self, who was never going to take the source material without looking for ways to give every pupil a chance to shine and elevate every scene they were in.

National School Theatre Awards

Edgeborough are delighted to once again be National School theatre Awards (NSTA) nominees in the following categories:

Best Actress in a musical

Best Actor in a musical

Best Ensemble

Best Prep School production

Across both night, reps from the NSTA

Welcoming NTSA reps to both performances, we are delighted to share their review below and look forward to attending the awards show in June to find out if we are winners!

Edgeborough School: Matilda – certainly not revolting!

As an NSTA Representative, I had the distinct pleasure of attending Edgeborough Prep School’s production of Matilda the Musical on Wednesday, 26th March 2025. Under the expert guidance of Director Catherine Self, Musical Director Holly Cowan, and with choreography by Kelly Ewins and Joanne Hendriksen, Edgeborough’s charming and inspiring retelling of this uplifting musical brought Dahl’s classic story to life with exceptional creativity and professionalism.

From the moment I entered the venue, I was enveloped in an atmosphere of anticipation and excitement. The opening number, Miracle, set the tone beautifully, bringing the stage to life in a dazzling spectacle that showcased a deeply focused and committed cast. The ensemble performed with boundless energy and enthusiasm, particularly excelling in high-impact moments such as the cake scene and Revolting Children. Throughout the production, the ensemble displayed confident, well-rehearsed group performances and built a brilliant rapport with the audience.

This production boasted a truly outstanding leading cast. Imogen gave a commanding performance in the demanding role of Matilda, leading the company with imagination, confidence and flair. Her innocent portrayal captured Matilda’s intelligence, inner strength, and articulate storytelling. Imogen showcased her impressive vocal range and a natural stage presence, she fully embodied the character, making her performance both engaging and memorable.

Equally compelling was Flora’s portrayal of the kind-hearted and nurturing Miss Honey. Flora embodied all the characteristics you would expect of Miss Honey, infusing the role with genuine warmth and sincerity, bringing an emotional depth that made Miss Honey’s journey deeply moving. Her vocals were rich and expressive, capturing the character’s quiet resilience and unwavering “goodness” with remarkable nuance.

Harry delivered an incredible performance as the formidable Miss Trunchbull. His characterisation of the terrifying headmistress was utterly unique, blending exaggerated physicality with impeccable comedic timing. Every movement and expression were masterfully controlled, from the intimidating stance to the menacing yet oddly hilarious delivery of lines, making his interpretation of Trunchbull chilling yet delightfully entertaining.

Supporting roles were equally well-executed, with each performer bringing distinct personality and charm to their characters. Freddie and Martha were outstanding as the outrageously self-absorbed Mr and Mrs Wormwood, nailing their comic timing and interaction with the audience. John gave a fantastic performance as Bruce, capturing the character’s cheeky, rebellious spirit with ease. Archie was a scene-stealer as the flamboyant Rodolpho, delivering every movement with flair and comedic brilliance. These performances not only demonstrated the strength of the ensemble but also highlighted the cast’s ability to create distinct, memorable characters that truly resonated with the audience.

The choreography showcased a range of impressive skills, allowing young performers to highlight their individual talents. When I Grow Up was a particularly touching moment, reminding the audience of the dreams and aspirations of childhood. Another standout sequence was The Smell of Rebellion, where David Jones’s gymnastics skills added an extra layer of dynamism, complemented by Harry’s masterful comedic lead as Trunchbull and the troop of young gymnasts. Every movement was executed with precision, demonstrating the meticulous work put into the production.

The staging was highly effective, overcoming the challenge of limited wing space with creative use of props and set design. The incorporation of letter blocks, digital projections, and individual school desks enhanced the performance visually, ensuring smooth transitions between scenes. The use of swings in When I Grow Up was a well-executed nod to the original West End staging, adding a magical touch to an already enchanting number.

Musical direction was exceptional, ensuring that each number was delivered with clarity, emotion, and the necessary energy. Revolting Children, one of the final numbers, was a powerful demonstration of the cast’s passion and commitment, as they confidently embodied the rebellious spirit of the song, leaving the audience both exhilarated and uplifted.

Matilda the Musical was far more than just a school production – it was a testament to the power of unity, energy, and creativity. It left the audience inspired and exhilarated, seamlessly blending comedy, heart, and exceptional talent. Every member of the cast and crew, regardless of their role, contributed immensely to the show’s resounding success. As the final number played and the cast took their well-earned curtain calls, it was evident that this was a production filled with pride, passion, and immense talent and that pupils had thoroughly enjoyed their experience. Edgeborough highlighted the importance of drama, dance and music in education, highlighting not just the students’ abilities but also their collective commitment to excellence. Matilda was certainly not “revolting” – but a delicious night of musical theatre!